Art and the Harpur Crewes exhibition

One of the things that have become quite noticeable from cataloguing the Harpur Crewe collection has been the artistic inclinations of quite a few members of the family. It first became apparent in the number of sketchbooks and individual examples of drawing that kept cropping up, so I decided to look into what other arty material was to be found among the records.

Sir George Crewe, the 8th baronet (1795-1844), in particular, revealed himself to be an enthusiastic amateur when it came to sketching. Though a busy and conscientious public administrator, he evidently took the opportunity in his moments of leisure to indulge himself in his drawing or painting of the natural world. The love of this type of activity passed down to his grandchildren, including Richard Fynderne Harpur Crewe (1880-1921) who continued to sketch ships, man and boy, and who also experimented in photographing images of the natural and man-made world, whether it be stupendous mountain scenery or the latest technological breakthroughs (cars, planes, airships).

The family also showed a distinct love of music, with several manuscript copy books of scores of pieces they liked. The most conspicuous example of this love was the commission given by Sir Henry Harpur, the 7th baronet (1763-1819), to Joseph Haydn, the most famous composer of the day, to compose a couple of marches for the Derbyshire Yeomanry in 1794.

To give you a taste of what can be seen, here are some of the images which didn’t make into the exhibition.

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