Since August 1989 anyone commissioning the taking of a photograph for private and domestic purposes (e.g. wedding photos, family portraits) has the Moral Right NOT to have the work(s) shown in public.
Between 11 November and 22 December 2019, we will be consulting about reducing our opening hours from 30 to 22.5 hours a week.
Derbyshire County Council’s budget continues to face huge pressures, with greater demands on adult social care and services for vulnerable children. The council’s budget for the coming year is around £500 million, with a savings target of £33.4 million.
At its meeting on 11 September 2019 our Cabinet agreed a new Five Year Financial Plan
for the County Council and this included a range of budget savings proposals. One of the areas identified was a review of opening hours and staffing levels at the Record Office to achieve savings of £60,000.
We are now consulting over proposals to reduce the opening hours by a day a week. There is no proposal to change the current pattern of Saturday opening.
Please make sure you have your say, either by filling in a paper consultation form at the Record Office or online at: www.derbyshire.gov.uk/recordofficeconsultation before the closing date of 22 December 2019.
Before July 1912, the original copyright holder was the creator of the photo, i.e. the photographer. Surely not a surprise.
However between July 1912 and July 1989, the original copyright holder was the owner of the material on which the image was taken, i.e. the negative. This could be a corporate body such as Magnum Photos. So the creativity in taking the photo no longer mattered!
Fortunately, for the photographer, since August 1989 copyright law again regarded them as the creators, and therefore the original copyright holders.
Copyright is never as simple as you think. If you don’t know the date of the photo, you might be trying to trace the wrong source for permission to reproduce the image.
The hidden talents of the Record Office team have been stirred… inspired by the Sir John Franklin story some of our staff members have specially recorded some traditional music to accompany our new online exhibition for Google Arts and Culture.
The tradition of singing, or chanting, of sea shanties and ballads aboard ships flourished during the 19th century. Long journeys at sea and repetitive hard work were alleviated by the singing of hauling and working songs, alongside tales of tragedy and loves lost documented in tunes and laments. ‘Handsome Molly’ is an old-time banjo and fiddle tune with a maritime theme, and this fantastic version has been recorded for us by ukulele player and singer Mark Psmith (our records manager!).
‘I wish I was in London
Or some other seaport town
I’d set my foot on a steamboat
And sail the ocean round
While sailing around the ocean
While sailing around the sea
I think of Handsome Molly
Wherever she may be’
Folk music has long taken inspiration from historical tales, and what better than a story that meets such a haunting end as that of Franklin and his crew. ‘Lady Franklin’s lament’ is a traditional folk ballad, which first appeared as a broadside ballad around 1850. It speaks from the perspective of a sailor on board a ship, who dreams about Lady Franklin and her plight to find her lost husband.
‘We were homeward bound one night on the deep
Swinging in my hammock I fell asleep
I dreamed a dream and I thought it true
Concerning Franklin and his gallant crew
With a hundred seamen he sailed away
To the frozen ocean in the month of May
To seek a passage around the pole
Where we poor sailors do sometimes go’
This version was recorded by folk singer and musician Ewan D Rodgers and features vocals and whistle playing by Clare (our assistant conservator!).
Three cheers! The brand new catalogue of our material relating to Sir John Franklin, his family and friends, can now be viewed on our online catalogue in collection D8760.
Archives Revealed funding and the help of volunteers has enabled us to catalogue in much greater detail than we normally would. This means there are now four times more catalogue entries than there were before! That’s a lot to browse through, so if you’d like to search the Franklin material instead, click on ‘Search our catalogue’, put ‘D8760*’ (don’t forget the asterisk at the end) into the ‘Reference number’ box, and then add your keywords into the ‘Any Text’ box at the top. You can also add a date range to narrow down your search.
Over 1000 letters have also been exported into a spreadsheet. If you are interested in Franklin, or just 19th century letters in general, the spreadsheet enables you to keyword search all the letters at once, or sort and filter them as you like. You can download this as a Microsoft Excel spreadsheet here: Derbyshire Record Office D8760 letters with transcriptions.
Many thanks go to Neil Bettridge, our project archivist, and the volunteers who put so much hard work into this project. Although the cataloguing project has now technically finished, we still have volunteers transcribing the letters and will continue adding to and improving the catalogue with more transcriptions and indexing as we have the time.
There are lots more stories to tell from the collection so this won’t be the last you hear about Franklin from us! And don’t forget that you can also view some of the Franklin items and a couple of online exhibitions about them on Google Arts and Culture.
We’re excited to announce that Derbyshire Record Office has partnered with Google Arts and Culture to showcase highlights from our collections on the Google Arts and Culture website. If you weren’t aware of Google Arts and Culture before, it features art works, objects and documents from over 1200 museums and archives around the world.
On the Derbyshire Record Office Google Arts and Culture page you can see 175 images that show off the huge variety of items that we hold. There are also three online exhibitions to enjoy:
The Last Voyage of Sir John Franklin links with our ‘Discovering Franklin’ project and tells the story of Franklin’s 1845 expedition to the Arctic which ended in tragedy.
In Lady Jane’s Museum you can see all the objects which formed part of our recent crowdfunding project to package and photograph the objects in the Gell / Franklin family collection.
And finally, you can take a look at A Selection of Derbyshire Treasures which gives a closer view of a few of the 50 treasures that have previously featured on this blog.
We have lots of ideas for more exhibitions and images to add to Google Arts and Culture so our content will continue to grow. If you have any ideas for what you’d like to see added, let us know in the comments below.
If you’re interested in Derbyshire customs and folklore then take a trip to Buxton Museum and Art Gallery this autumn, where a free exhibition called ‘Weird Derbyshire and Peakland’ is on until 9 November. The exhibition features photographs by Richard Bradley, author of ‘Secret Chesterfield’ and ‘Secret Matlock and Matlock Bath’ so if you’re inspired to find out more, you can pick up the books at your local library.
Derbyshire – and the Peak District, which spills over into the neighbouring counties of Cheshire, Staffordshire, Greater Manchester and South and West Yorkshire – has one of the highest concentrations of calendar customs in the UK. These encompass everything from rituals of very ancient (possibly Pagan) origin like the well dressings and the Castleton Garland Ceremony; to more modern alternative annual sporting contests dreamed up over a pint or three down the local pub. Examples of the latter include Bonsall Hen Racing, the Mappleton Bridge Jump, the Great Kinder Beer Barrel Challenge and the World Championship Toe Wrestling Championships.
copyright Richard Bradley
The area is peppered with ancient stone circles such as Arbor Low and the Nine Ladies, which provide a strong ritual focus into the 21st Century, drawing visitors from around the world seeking answers to their own individual questions. In addition, a number of unusual old carvings…
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We’ve just archivally packaged a very touching group of items: dried flowers collected from the grave of Eleonar Gell (Sir John Franklin’s daughter) in Tredunnoc, Monmouthshire. They were mounted on black-edged card by her husband John Philip Gell for their seven children – Eleanor, Franklin, Philip, Mary, Henry, Alice and Lucy – and stored together in a blue cover.
The date on the cards is that of Eleanor’s funeral, a few days after her death on 30 August 1860 – she was 36.
The flowers are still in remarkable condition and to keep them that way we’ve placed each card in an archival polyester sleeve and then made a folder to store them in so we keep them out of light. We’ve then made another folder so we can keep the dried flowers together with the cover.
This memorial to a lost parent’s love should now be safe for at least another 160 years.
Fantastic detective work from our colleagues at Buxton Museum!
I am working on a project funded by the Esmée Fairbairn Foundation that is overseeing the re-homing of the objects from the School library Loans Service in Derby. This collection consists of paintings, studio pottery, archaeological, ethnographic and social history items. Sadly, Buxton Museum and Art Gallery can only keep a small percentage of this wonderful and eclectic mix of items. Through detective work that involves sifting through old records, myself and my colleague have been gathering information on where the items came from over the fifty years the service was collecting. We are contacting museums and community groups in the areas that these objects originate from to see if they would like the items so that they can have a new lease of life.
One of these items is a Roman silver spoon, elegant in its shape and practical in…
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For National Poetry Day, an excerpt from a poem by Thomas Moore, as copied out by William Howitt (1792-1879), from Heanor:
Oft in the stilly night
When slumber’s chain has bound me,
Fond mem’ry brings the light
Of other days around me;
The smiles, the tears
Of childhoods years,
The words of love then spoken;
The eyes that shone,
Now dim’d and gone,
The cheerful hearts, now broken.
Thus, in the stilly night,
When slumber’s chain has bound me,
Fond mem’ry brings the light
Of other days around me.